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Louise Reader

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Description
This book explores 'civic engagement' as a politically active encounter between institutions, individuals and art practices that addresses the public sphere on a civic level across physical and virtual spaces. Taking a multidisciplinary approach, it tracks across the overlapping discourses of politics, cultural geography and performance, investigating how and why physical and digital spaces can be analysed and utilised to develop new art forms that challenge traditional notions of how performance is political and how politics are performative. Across three sections - Politicising Communities, Applying Digital Agency and Performing Landscapes and Identities - the ten chapters and three interviews cover a wide variety of international perspectives, all informed by innovative ways of addressing the current crisis of social fragmentation through performance. Providing access to many debates on the theory and practice of new media, this book is of significance to readers from a broad set ofacademic disciplines, including politics, sociology, geography, and performance studies.
Pages
312 pages
Collection
n.c
Parution
2017-11-17
Marque
Palgrave Macmillan
EAN papier
9783319665160
EAN PDF
9783319665177

Informations sur l'ebook
Nombre pages copiables
3
Nombre pages imprimables
31
Taille du fichier
7260 Ko
Prix
94,94 €
EAN EPUB
9783319665177

Informations sur l'ebook
Nombre pages copiables
3
Nombre pages imprimables
31
Taille du fichier
1956 Ko
Prix
94,94 €

Ananda Breed is Reader in Performing Arts at the University of East London, UK. She is author of Performing the Nation: Genocide, Justice, Reconciliation (2014) in addition to several publications that address transitional systems of governance and the arts. She has worked as a consultant for IREX and UNICEF in Indonesia and Central Asia on issues concerning conflict negotiation and conducted applied arts workshops internationally. She is Co-Director of the Centre for Performing Arts Development (CPAD) at UEL and former Research Fellow at the International Research Centre Interweaving Performance Cultures at Freie University (2013-2014).

Tim Prentki is Professor of Theatre for Development at the University of Winchester, UK. He is the author of The Fool in European Theatre and Applied Theatre Development, co-author of Popular Theatre in Political Culture and co-editor of The Applied Theatre Reader. He also writes regularly for Research in Drama Education and Applied Theatre Research.

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