Miranda Stanyon is Senior Lecturer in English at the University of Melbourne, where her research is supported by an Australian Research Council DECRA. She received her doctorate from QMUL and held a Junior Research Fellowship at Cambridge, before joining King's College London as a Lecturer in Comparative Literature. Her work has appeared in Research in English Studies, Modern Philology, Huntington Library Quarterly, Journal of the Royal Musical Association, and Transactions of the Royal Historical Society, and she is co-editor of Music and the Sonorous Sublime in European Culture (Cambridge, 2020) and author of Resounding the Sublime (Pennsylvania, 2021).
Emily Pillinger is Senior Lecturer in Classics and Liberal Arts at King's College London. She studied at Oxford and recerived a PhD at Princeton. She has held positions in the UK and USA as a teaching fellow (Marlboro College), postdoctoral researcher (Bristol), and lecturer (Oxford). She is the author of Cassandra and the Poetics of Prophecy (Cambridge, 2019). She has also studied the reception of Graeco-Roman myth in twentieth and twenty-first century music, publishing on Britten, Tippett, Xenakis, and Turnage. She has been engaging in creative music practice as research through the AHRC-funded project Penelope's Web.