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Description
Written in an style intended to speak to both academics and a general audience, The Consequences of Rights addresses what it means to encounter the human rights concept and advocate for rights from the position of the university academic but in the face of the reality that rights are the ultimate The Consequences of Rights addresses three questions: how, in the face of the notion that all ideas are historical (and hence norms change), can one justify defending human rights, what governmental systems might be suggested by human rights conceptsThe Consequences of Rights takes on these topics, inviting the public and scholars alike to consider their views on such problems. Ben Dorfman’s new book offers plenty of insights in an excellent and thought-provoking contribution to the scholarship on human rights and philosophy, global governance, and aesthetics. It stands out with delightful prose, beyond the common academic style, ingeniously relating theory on those decisive issues to the threats and dilemmas of the present. Mats Andrén, Professor, Dept. of Literature, History of Ideas and Religion, University of Gothenburg (already solicited)
Pages
160 pages
Collection
n.c
Parution
2025-04-18
Marque
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
EAN papier
9783631927359
EAN PDF
9783631931189

Informations sur l'ebook
Nombre pages copiables
32
Nombre pages imprimables
32
Taille du fichier
2816 Ko
Prix
44,42 €
EAN EPUB
9783631931196

Informations sur l'ebook
Nombre pages copiables
32
Nombre pages imprimables
32
Taille du fichier
2796 Ko
Prix
44,42 €

Ben Dorfman is associate professor of intellectual and cultural history and coordinator of the Language and International Studies program at Aalborg University, Denmark. He is also the author of 13 Acts of Academic Journalism and Historical Commentary on Human Rights: Opinions, Interventions and the Torsions of Politics (2017) and Rights under Trial, Rights Reflections: 13 Further Acts of Academic Journalism and Historical Commentary on Human Rights (2020) on Peter Lang.

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