Téléchargez le livre : The Palgrave Handbook of Music and Sound in Japanese Animation

The Palgrave Handbook of Music and Sound in Japanese Animation



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Palgrave Macmillan


Paru le : 2024-09-13



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Description
This handbook fills a substantial gap in the international academic literature on animation at large, on music studies, and on the aural dimensions of Japanese animation more specifically. It offers a unique contribution at the intersection between music and popular culture studies on the one hand, and research on Japanese animated productions (often called ‘anime’) as popular art forms and formats of entertainment, on the other. The book is designed as a reference work consisting of an organic sequence of theory-grounded essays on the development of music, sounds, and voices in Japanese animation for cinema and television since the 1930s. Each chapter deals with a phase of this history, focusing on composers and performers, films, series, and genres used in the soundtracks for animations made in Japan. The chapters also offer valuable interviews with prominent figures of music in Japanese animation, as well as chapter boxes clarifying specific aspects.
Pages
1040 pages
Collection
n.c
Parution
2024-09-13
Marque
Palgrave Macmillan
EAN papier
9789819704286
EAN PDF
9789819704293
Informations sur l'ebook
Nombre pages copiables
10
Nombre pages imprimables
104
Taille du fichier
31754 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
295,39 €
EAN EPUB
9789819704293
Informations sur l'ebook
Nombre pages copiables
10
Nombre pages imprimables
104
Taille du fichier
78090 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
295,39 €
Marco Pellitteri is associate professor of Media and Communication at Xi’an Jiaotong-Liverpool University, China. He is the author of several monographs, among which The Dragon and the Dazzle (2010), Mazinga Nostalgia (1999; 4th revised edition 2018), and I manga. Introduzione al fumetto giapponese (‘Manga: An introduction to Japanese comics’, 2021); with H.-w. Wong, he is the editor of Japanese Animation in Asia: Transnational Industry, Audiences, and Success (2021).

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