The Passion of Charles Péguy

Literature, Modernity, and the Crisis of Historicism

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OUP Oxford


Paru le : 2014-10-16



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Description
In many ways, the development of twentieth-century literary criticism and theory can be seen as a prolonged struggle against the pervading influence of nineteenth-century positivist historicism. Anglo-American New Criticism and later French Post-structuralism and Deconstruction are the best-known instances of this conflict. Less widely known, but no less important to contemporary literary studies, are Charles Péguy's earlier debates with French academic historicism in the years leading up to World War One. First examined by Antoine Compagnon in his ground-breaking work La Troisième République des lettres in 1983, it is a period in French literary and cultural history that remains, some thirty years later, largely untreated in English. This book thus addresses an important, albeit relatively unexplored, moment in the development of twentieth-century literary history and theory. By way of Péguy's foundational polemics with modernity and his role in the related 'crisis of historicism', we gain a better understanding of the critical basis from which similar anti-positivist and anti-historicist critiques were later enacted on both sides of the Atlantic. In situating Péguy's passions and polemics within the larger cultural and historical context, Glenn H. Roe invites us to reconsider and re-evaluate Péguy's place among twentieth-century literary figures. Beyond its literary-critical aspects, The Passion of Charles Péguy provides a general view of early twentieth-century debates related to the role of literary studies in modern society, the reform of the French educational system, and the formation of literary history as an academic discipline in both France and abroad.
Pages
280 pages
Collection
n.c
Parution
2014-10-16
Marque
OUP Oxford
EAN papier
9780191027932
EAN PDF
9780191027932

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Taille du fichier
5786 Ko
Prix
59,67 €

Glenn H. Roe is a Lecturer in Literary Studies and Digital Humanities at the Australian National University. He received his Ph.D. with honours in French literature from the University of Chicago before taking up a Mellon Fellowship in Digital Humanities at the University of Oxford. He has published and presented widely on modern French literary, intellectual, and book history, the Encyclopédie of Diderot and d'Alembert, and new computational approaches and digital methods for humanities scholarship.

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