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Handel is one of the most remarkable figures in the history of western music. His compositions form one of the peaks of creative achievement in the Baroque period, and cover a remarkable range: full-scale Italian operas and English oratorios (including Messiah), but also shorter works such as the Water Music and the Coronation Anthem Zadok the Priest. His compositional processes were often complex, but could result in accessible and memorable 'hit tunes', such as the aria that subsequently became famous as 'Handel's Largo'. His life and career were as remarkable as his music. Born in Germany to a family that reputedly tried to discourage his initial interest in music, he broke away to seek his fortune in Italian opera, and proceeded to gain first-hand experience of the latest Italian styles in Rome, Florence, Venice and Naples. A series of career moves brought him via Hanover to London, where he eventually settled and dominated the city's musical life for half a century. There he quickly made his mark in English church music as well as Italian opera, and eventually created two new musical genres--English theatre oratorio and the organ concerto. Handel is important also because, as a musician, he also became a significant public figure. In Rome he attracted the patronage of princes and cardinals; soon after his arrival in London he appeared at the court of Queen Anne, and he subsequently enjoyed substantial support from the "Hanoverian" royal family. He survived turbulent periods in the musical and political life of London, reached a wider public through publications of his music, died a rich man and was buried in Westminster Abbey. This biography provides a comprehensive and balanced account of both the man and his music, drawing on the unusually rich legacy of documentary and musical sources from Handel's lifetime. This new edition of a book that has been recognized as a 'classic' biography of Handel, reliable on the factual details of the composer's life and comprehensive in the coverage of his music, incorporates a great deal of new material. The last half century has seen a great renewal of research on the circumstances of Handel's life, and a major expansion in performances and recordings of his music. The book brings together the results of this scholarly activity, and is informed by wide experience of modern performances of Handel's music, including the revival of his operas and experimentation with 'authentic' performance practices.
Pages
n.c
Collection
n.c
Parution
2010-07-01
Marque
Oxford University Press
EAN papier
9780199737369
EAN PDF
9780199781409
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Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
4321 Ko
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Prix
28,76 €
EAN EPUB
9780199780082
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
19354 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
28,76 €
Donald Burrows is a leading authority on the life and music of George Frideric Handel. His book Handel and the English Chapel Royal has been recognised as the first full-scale study of Handel's English church music. His published editions of Handel's music include the oratorios Messiah, Samson, and Belshazzar; the operas Imeneo and Ariodante; the complete violin sonatas; and the suite for two harpsichords.

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