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Ken Jacobs has been making cinema for more than fifty years. Along with over thirty film and video works, he has created an array of shadow plays, sound pieces, installations, and magic lantern and film performances that have transformed how we look at and think about moving images. He is part of the permanent collections at MoMA and the Whitney, and his work has been celebrated in Europe and the U.S. While his importance is well-recognized, this is the first volume dedicated entirely to him. It includes essays by prominent film scholars along with photographs and personal pieces from artists and critics, all of which testify to the extraordinary variety and influence of his accomplishments. Anyone interested in cinema or experimental arts will be well-rewarded by a greater acquaintance with the genius, the innovation, and the optical antics of Ken Jacobs.
Pages
n.c
Collection
n.c
Parution
2011-04-19
Marque
Oxford University Press
EAN papier
9780195384987
EAN PDF
9780199739561
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0
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0
Taille du fichier
6646 Ko
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Prix
21,92 €
EAN EPUB
9780199831241
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
5233 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
22,77 €
Michele Pierson is on the faculty of the Film Studies Department at King's College London. She is the author of Special Effects: Still in Search of Wonder. David E. James is on the faculty of the School of Cinematic Arts at the University of Southern California. He is the author of Allegories of Cinema: American Film in the Sixties and The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. Paul Arthur was Professor of English and Film Studies at Montclair State University. He is the author of Line Of Sight: American Avant-Garde Film Since 1965.

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