Discordant Notes

Marginality and Social Control in Madrid, 1850-1930

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Oxford University Press


Paru le : 2018-10-31



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Description
Scholarship on urban culture and the senses has traditionally focused on the study of literature and the visual arts. Recent decades have seen a surge of interest on the effects of sound the urban space and its population. These studies analyse how sound generates identities that are often fragmentary and mutually conflicting. They also explore the ways in which sound triggers campaigns against the negative effects of noise on the nerves and health of the population. Little research has been carried out about the impact of sound and music in areas of broader social and political concern such as social aid, hygiene and social control. Based on a detailed study of Madrid from the 1850s to the 1930s, Discordant Notes argues that sound and music have played a key role in structuring the transition to modernity by helping to negotiate social attitudes and legal responses to problems such as poverty, insalubrity, and crime. Attempts to control the social groups that own unwanted musical practices such as organ grinding and flamenco performances in taverns raised awareness about public hygiene, alcoholism and crime, and triggered legal reform in these areas. In addition to scapegoating, marginalising and persecuting these musical practices, the authorities and the media used workhouse bands as instruments of social control to spread "aural hygiene" across the city.
Pages
320 pages
Collection
n.c
Parution
2018-10-31
Marque
Oxford University Press
EAN papier
9780199392469
EAN PDF
9780199392476

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0
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0
Taille du fichier
23040 Ko
Prix
25,30 €
EAN EPUB
9780190916367

Informations sur l'ebook
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0
Nombre pages imprimables
0
Taille du fichier
2048 Ko
Prix
19,39 €

Samuel Llano is a Lecturer (Assistant Professor) in Spanish Cultural Studies at the University of Manchester. He specialises in the music of nineteenth and twentieth century Spain, urban studies and transnationalism. His first book, Whose Spain?: Negotiating 'Spanish Music' in Paris, 1908-1929 (OUP, 2012) received the Robert M. Stevenson Award of the American Musicological Society for outstanding scholarship in Iberian and Latin American music.

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