Téléchargez le livre : Mahler's Seventh Symphony
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Description
Gustav Mahler's Seventh Symphony stands out as one of the most provocative symphonic statements of the early twentieth century. Throughout its performance history, it has often been heard as "existing in the shadow" of the Sixth Symphony or as "too reminiscent" of Richard Wagner's opera Die Meistersinger von Nürnberg. Anna Stoll Knecht's Mahler's Seventh Symphony offers a new interpretation of the Seventh based on a detailed study of Mahler's compositional materials and a close reading of the finished work. With a focus on sketches previously considered as "discarded," Stoll Knecht exposes unexpected connections between the Seventh and both the Sixth and Meistersinger, confirming that Mahler's compositional project was firmly grounded in a dialogue with works from the past. This referential aspect acts as an important interpretive key to the work, enabling the first thorough analysis of the sketches and drafts for the Seventh, and shedding light on its complex compositional history. Considering each movement of the symphony through a double perspective, genetic and analytic, Stoll Knecht demonstrates how sketch studies and analytical approaches can interact with each other. Mahler's Seventh Symphony exposes new facets of Mahler's musical humor and leads us to rethink much-debated issues concerning the composer's cultural identity, revealing the Seventh's pivotal role within his output.
Pages
272 pages
Collection
n.c
Parution
2019-10-15
Marque
Oxford University Press
EAN papier
9780190491116
EAN PDF
9780190491123
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
28979 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
48,09 €
EAN EPUB
9780190050573
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
10097 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
37,11 €
Anna Stoll Knecht is the recipient of an Ambizione research grant from the Swiss National Science Foundation. Previously she was a British Academy postdoctoral fellow at the University of Oxford (Faculty of Music and Jesus College), engaged in a project on Gustav Mahlerâs interpretation of Richard Wagner, both as a composer and a conductor.

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