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Description
Audiences have long enjoyed Sergei Prokofiev's musical score for Sergei Eisenstein's 1938 film Alexander Nevsky. The historical epic cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. Prokofiev's and Eisenstein's work proved an enormous success, both as a collaboration of two of the twentieth century's most prominent artists and as a means to bolster patriotism and national pride among Soviet audiences. Arranged as a cantata for concert performance, Prokofiev's music for Alexander Nevsky music proved malleable, its meaning reconfigured to suit different circumstances and times. Author Kevin Bartig draws on previously unexamined archival materials to follow Prokofiev's Alexander Nevsky from its inception through the present day. He considers the music's genesis as well as the surprisingly different ways it has engaged listeners over the past eighty years, from its beginnings as state propaganda in the 1930s to showpiece for high-fidelity recording in the 1950s to open-air concert favorite in the post-Soviet 1990s.
Pages
128 pages
Collection
n.c
Parution
2017-09-26
Marque
Oxford University Press
EAN papier
9780190269579
EAN PDF
9780190269586
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
15350 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
10,96 €
EAN EPUB
9780190269593
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
13056 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
10,96 €
Kevin Bartig is Associate Professor of Musicology at Michigan State University and author of Composing for the Red Screen: Prokofiev and Soviet Film (Oxford University Press, 2013).

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