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Beethoven's String Quartet in C-sharp Minor, Op. 131



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Oxford University Press


Paru le : 2021-05-14



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Description
Beethoven's String Quartet in C-sharp minor Op. 131 (1826) is not only firmly a part of the scholarly canon, the performing canon, and the pedagogical canon, but also makes its presence felt in popular culture. Yet in recent times, the terms in which the C-sharp minor quartet is discussed and presented tend to undermine the multivalent nature of the work. Although it is held up as a masterpiece, Op. 131 has often been understood in monochrome terms as a work portraying tragedy, struggle, and loss. In Beethoven's String Quartet in C-sharp Minor, Op. 13, author Nancy November takes the modern-day listener well beyond these categories of adversity or deficit. The book goes back to early reception documents, including Beethoven's own writings about the work, to help the listener reinterpret and re-hear it. This book reveals the diverse musical ideas present in Op. 131 and places the work in the context of an emerging ideology of silent or 'serious' listening in Beethoven's Europe. It considers how this particular 'late' quartet could speak with special eloquence to a highly select but passionately enthusiastic audience and examines how and why the reception of Op. 131 has changed so profoundly from Beethoven's time to our own.
Pages
144 pages
Collection
n.c
Parution
2021-05-14
Marque
Oxford University Press
EAN papier
9780190059217
EAN PDF
9780190059224
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0
Nombre pages imprimables
0
Taille du fichier
10537 Ko
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Prix
10,12 €
EAN EPUB
9780190059231
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
11162 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
10,12 €
Nancy November is an Associate Professor in musicology at the University of Auckland. Combining interdisciplinarity and cultural history, her research continues to center on chamber music of the late eighteenth and nineteenth centuries, probing questions of historiography, canonization, and genre. She is the recipient of a Humboldt Fellowship; and two Marsden Grants from the New Zealand Royal Society.

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