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Description
As one of the foremost composers, conductors, and pianists of the nineteenth century, Felix Mendelssohn played a fundamental role in the shaping of modern musical tastes through his contributions to the early music revival and the formation of the Austro-German musical canon. His career allows for a remarkable meeting point for critical engagement with a host of crucial issues in the last two centuries of music history, including the relation between musical meaning and social function, programmatic and absolute music, notions of classicism and Romanticism, modernism and historicism. It also serves as a pertinent case-study of the roles political ideology, racism, and musical ignorance may play in creating and perpetuating a composer's posthumous reception. Fittingly, Rethinking Mendelssohn focuses on critical engagement with the composer's music and aesthetics, and on the interpretation of his works in relation to contemporaneous culture. Building on the renaissance in Mendelssohn scholarship of the last two decades, Rethinking Mendelssohn sets a fresh and exciting tone for research on the composer. Opening new ways of understanding Mendelssohn and setting the future direction of Mendelssohn studies, the contributing scholars pay particular attention to Mendelssohn's contested views on the relationship between art and religion, analysis of Mendelssohn's instrumental music in the wake of recent controversies in Formenlehre, and the burgeoning interest in his previously neglected contribution to the German song.
Pages
464 pages
Collection
n.c
Parution
2020-04-15
Marque
Oxford University Press
EAN papier
9780190611781
EAN PDF
9780190611798
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
27689 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
42,71 €
EAN EPUB
9780190611804
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
26153 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
33,50 €
Benedict Taylor is Reader in Music at the University of Edinburgh. His research interests centre on nineteenth-century music, theory and analysis, and philosophy. Previous books include Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form (2011), The Melody of Time: Music and Temporality in the Romantic Era (2016), and Towards a Harmonic Grammar of Grieg's Late Piano Music (2017).

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