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In recent years, music theorists have been increasingly eager to incorporate findings from the science of human cognition and linguistics into their methodology. In the culmination of a vast body of research undertaken since his influential and award-winning Conceptualizing Music (OUP 2002), Lawrence M. Zbikowski puts forward Foundations of Musical Grammar, an ambitious and broadly encompassing account on the foundations of musical grammar based on our current understanding of human cognitive capacities. Musical grammar is conceived of as a species of construction grammar, in which grammatical elements are form-function pairs. Zbikowski proposes that the basic function of music is to provide sonic analogs for dynamic processes that are important in human cultural interactions. He focuses on three such processes: those concerned with the emotions, the spontaneous gestures that accompany speech, and the patterned movement of dance. Throughout the book, Zbikowski connects cognitive research with music theory for an interdisciplinary audience, presenting detailed musical analyses and summaries of the basic elements of musical grammar.
Pages
272 pages
Collection
n.c
Parution
2017-08-24
Marque
Oxford University Press
EAN papier
9780190653637
EAN PDF
9780190653644

Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
16036 Ko
Prix
25,30 €
EAN EPUB
9780190653651

Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
6441 Ko
Prix
25,30 €

Lawrence M. Zbikowski is Professor of Music at the University of Chicago, where he has taught since 1993. His research focuses on the application of research in cognitive science to the theory and analysis of music. He is the author of Conceptualizing Music: Cognitive Structure, Theory, and Analysis (2002). In 2010-11 he held a fellowship from the American Council of Learned Societies and was also Fulbright Visiting Research Chair at McGill University.

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