On Picture Making and Picture Seeing

A Brief Discourse

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Springer


Paru le : 2023-04-03



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Archaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attempt is made to show how this factor affects both creation and recognition of depictions, how, in common with everyday vision of the environment, typical contours are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian Kakadu crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by Leonardo da Vinci’s perspective and by inverted (Byzantine) perspective  thought by some to be an aberration. Bartel’s studies show that pictorial depth is often achieved to the artist’s, and many a viewer’s, but not to geometer’s satisfaction by partial distortion, and Chinese masterpieces embody, side by side, ‘normal’ and inverted perspective.
The visual process is universally uniform (if it were not, one would not be able to recognise an Altamira bison as a bison) and its foibles can be freely exploited.
Its best known exploiter is probably Cezanne. His pictures are admired by many and puzzle many. Strzeminski postulated that they compound distinct lines of sight, thus endorsing primacy of central vision, a concept thought by Gombrich to be of greater import to geometers than to artists.
Pages
109 pages
Collection
n.c
Parution
2023-04-03
Marque
Springer
EAN papier
9783031233470
EAN PDF
9783031233487

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Nombre pages copiables
1
Nombre pages imprimables
10
Taille du fichier
5591 Ko
Prix
42,19 €
EAN EPUB
9783031233487

Informations sur l'ebook
Nombre pages copiables
1
Nombre pages imprimables
10
Taille du fichier
62362 Ko
Prix
42,19 €

Jan B. Deregowski, D.Sc., FRSE, FBPsS, is Professor Emeritus of Psychology at the University of Aberdeen. He has been pursuing studies of visual perception in many cultures and has published some of his findings in Illusions, Patterns and Pictures (Academic Press, 1980) as well as, recently, two overviews: Cross-cultural Studies of Illusions (in the Oxford compendium of Visual Illusions, OUP, 2017) and The Psychology of Graphic Perception (in the Oxford Handbook of Archaeology and Anthropology of Rock Art, OUP, 2018).

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