David Bowie and Film

Hooked to the Silver Screen

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Éditeur :

Palgrave Macmillan


Paru le : 2022-10-31



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Description

This book constitutes the first monograph dedicated to an academic analysis of David Bowie’s appearances in film. Through close textual analysis together with production and reception histories, Bowie’s ‘silver screen’ career is explored in full. The book covers performance documentaries such as Ziggy Stardust and the Spiders from Mars, star vehicles ranging from the eulogised The Man Who Fell to Earth to the excoriated Just a Gigolo, plus roles from the horror chic of The Hunger and cult fantasy of Labyrinth to the valiant high-brow Baal and vainglorious high-budget Absolute Beginners, ending with Bowie as Bowie in Bandslam and others as ‘Bowie’ in Velvet Goldmine and Stardust. Alongside showing his willingness to experiment (and at times fail) across a variety of genres, this study investigates Bowie’s performative style that, while struggling to accommodate the requirements of cinematic realism, fits more harmoniously with alternative production codes and aesthetics. More broadly, by exploring the commercial, socio-cultural and ideological significance of Bowie on film, the book demonstrates how notions of gender, sexuality and identity formation, plus commodity and cultural capital, function and fluctuate in contemporary society.

Pages
253 pages
Collection
n.c
Parution
2022-10-31
Marque
Palgrave Macmillan
EAN papier
9783031134005
EAN PDF
9783031134012

Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
25
Taille du fichier
6564 Ko
Prix
116,04 €
EAN EPUB
9783031134012

Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
25
Taille du fichier
3277 Ko
Prix
116,04 €

Stephen Glynn lectures in Film and Television at De Montfort University, UK. His previous investigations of the connections between pop music and film include The British Pop Music Film (Palgrave, 2013) and The Beatles and Film (2021).

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