Téléchargez le livre : Performance, Subjectivity, Cosmopolitanism

Performance, Subjectivity, Cosmopolitanism



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Palgrave Macmillan


Paru le : 2020-08-07



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Description
This book looks at the connection between contemporary theatre practices and cosmopolitanism, a philosophical condition of social behaviour based on our responsibility, respect, and healthy curiosity to the other. Advocating for cosmopolitanism has become a necessity in a world defined by global wars, mass migration, and rise of nationalism. Using empathy, affect, and telling personal stories of displacement through embodied encounter between the actor and their audience, performance arts can serve as a training ground for this social behavior. In the centre of this encounter is a new cosmopolitan: a person of divided origins and cultural heritage, someone who speaks many languages and claims different countries as their place of belonging. The book examines how European and North American theatres stage this divided subjectivity: both from within, the way we tell stories about ourselves to others, and from without, through the stories the others tell about us. 
Pages
290 pages
Collection
n.c
Parution
2020-08-07
Marque
Palgrave Macmillan
EAN papier
9783030414092
EAN PDF
9783030414108
Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
29
Taille du fichier
2857 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
94,94 €
EAN EPUB
9783030414108
Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
29
Taille du fichier
2017 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
94,94 €
Professor Yana Meerzon teaches for the Department of Theatre, University of Ottawa. Her research interests are in drama and performance theory, and theatre of migration and nationalism. Her book publications with Palgrave include Performing Exile – Performing Self: Drama, Theatre, Film (2012), Performance, Exile and ‘America’ (2009), History, Memory, Performance (2015); and Migration and Stereotypes in Performance and Culture (2020).

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